It's pretty rare for me to be involved in a film (esp a doc) early enough that I could have input into how they import media into the picture editing app…. But on a lot of films I work on the original import of the audio into Premiere might have occurred years ago, so I was hoping for something the editor could do that would prevent the clip repeato thing after they've already imported and cut audio. Sometimes ALL clips are named after the first clip on the Premiere timeline, sometimes most clips will have the correct name, while others have been renamed.lot's of fun.Thanks-this makes sense. Should you manage to import an embedded AAF, the clip/region names may not be correct. OMFs are always a bit quirky in general, but Media Composer imports like a dream compared to Premiere. Which is doubly problematic if the editor isn't cutting audio properly and is using volume graphing to trim a longer clip instead of a cut. It's almost as if random volume breakpoints are inadvertently left out somehow, so weird ramps and dips ensue. Have to always do the manually re-link for referenced OMFs, and for some reason they only reconnect when 'Match Name' ONLY is selected, without any other checkboxes checked for duration or file ID.Īlso commonly see levels not coming across properly. Sometimes ALL clips are named after the first clip on the Premiere timeline, sometimes most clips will have the correct name, while others have been renamed.lot's of fun.Yes, I also see all of these on a constant basis. Sometimes ALL clips are named after the first clip on the Premiere timeline, sometimes most clips will have the correct name, while others have been renamed.lot's of fun. You could also try exporting from PP to Audition, and then export the OMF from there.ĭepending on version, encapsulated/self-contained OMF may not work, and you'll have to manually re-link all referenced audio files as Premiere has renamed them (the actual file name - not the clip name that shows up in PT) to jibberish.ĭepending on version, encapsulated/self-contained AAFs may not work, and you'll have to manually re-link all referenced audio files as Premiere has renamed them to jibberish. The above should preferably be done before importing media into Premiere (when creating the project). Try telling the video editor to go into preferences, and under the audio tab he should change the 'Default Audio Tracks' from 'Use file' or 'Adaptive' - or whatever they're at now - to all say Mono independent of actual track width. I've had the same issue (occationally still have) among many others when receiving OMFs and AAFs from Premiere. The thing is-I get other OMFs from Premiere that aren't like this, so there is some Premiere technique or setting at work here. I think the stereo track theory sounds good, but I wonder if there is something that can be done about this repetition of tracks-it makes for a whole lot of extra work auditioning and discarding extra clips, and the extra clips make the project huge for no good reason. All these repeats aren't explainable by the editor's stacking of clips for level reasons-as you can see in the pic most of the levels are fine. I dislike getting OMFs from Premiere, it's always a rodeo compared to Avid or Final Cut 7.Yes, this. Not sure what the fix is in the Premiere settings though. I think what happens is in the OMF Premiere will see Stereo Track 1 and export out mono A1 A2 and then also a duplicate Stereo Track R and Stereo Track L on top of that. I think it has something to do with the fact you can have stereo channels in Premiere (as opposed to multi-mono A1 A2 like in most other NLEs).
It's not just clip repeating for gain purposes, Premiere is a large pain in general with OMF exports.
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